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R T    L I V I N G S T O N

C O N C E P T U A L     E N V I R O N M E N T A L    A R T


A R T I S T    R E S U M E


E D U C A T I O N:

Ph.D., A.B.D. Art History, Rutgers University, New Brunswick, NJ
                    Princeton, History of Photography with Peter Bunnell

M.A. Art History, Rutgers University, New Brunswick, NJ

B.S. Studio Art, Daemen College, Buffalo, NY


C U R R E N T   P R O J E C T S:

lightblueline, Collaborative Global Climate Change Project, 2006-07 ongoing.

Windsock Installations, 2003-ongoing.

Reality Check: Artificiality and the Environment, 2002-ongoing.

Herd Around the World, 2003-ongoing.

Animal Sitter, 2003-ongoing.


S E L E C T E D   S O L O   E X H I B I T I O N S:

1 Dance 2 Sea, Santa Barbara Museum of Art, video installation, July, 2006

Windsock Currents, in collaboration with ecoartspace and Red Dive, Crissy Field, Presidio, Golden Gate National Recreation Area, San Francisco, CA., June, 2005.

Windsock Ridge, Arts Commission of Santa Barbara, CA, Elings Park, Santa Barbara, CA, March, 2004 to July, 2004.

Windsock Ridge, Arts Commission of Santa Barbara, CA, Elings Park, Santa Barbara, CA, July to October, 2003

Windsock Grid Field, Santa Barbara Arts Commission, Santa Barbara, CA, July to October, 2003.

Reality Check: Artificiality and the Environment, Donskoj & Co., Kingston, NY, May, 2003.

Sprockets Discover Art History, Marcuse Gallery, Kingston, NY, April, 1997.

Trade What-Trademark, Four month Sprocket public performance: May-August, 1994

The Law, MTV, premier: Town & Country, Miss Liberty, World Without Water, 1985.

Turnstyle: Turns in Style, Center for Contemporary Art, Palm Beach, Florida, March, 1984.

Artist in Residence: Center for Contemporary Art, Palm Beach, Florida, March, 1984.

Self Portraits, Black Bird Gallery, Tribeca, 1984.

Colossal Portraits, P.S. I: Institute for Art and Urban Resources, Long Island City, NY, September 1983

Off the Books, The Page Museum, New York, 1983.

Lapp Princess Does Interview: Advertising Space meets Performance Art, Interview Magazine, December-June, 1983.


S E L E C T E D    G R O U P   E X H I B I T I O N S:

1 Dance 2 Sea, Video Installation with Robin Bisio, Santa Barbara International Film Festival, CA., February 2006.

I Could Sing Waltzes for You, Music Video Dance with Robin Bisio & Headless Household, Santa Barbara International Film Festival, CA, February 2005.

Crust of the World,Windsock Ridge Dance Video, with Robin Bisio, Santa Barbara, CA., Dance Alliance, January 2004.

New Photographic Images, Jasper Center for the Arts, Jasper, ID, Fall, 2004.

American Pot Luck, Gallerie Am Buttermarkt, Cologne, Germany, October-November, 2003.

Erotica, Studio 8, Kingston, New York, August, 2003.

What’s Happening Now, Under the Brooklyn Bridge, NY State Parks Commission, July-October, 2003.

Kingston Biennial Sculpture Exhibition, Kingston, NY, Curator Judy Pfaff, July-October, 2003.

Inside the Box: The Art of Assemblage, A.S.K. Gallery, Kingston, NY, July 2003

EarthWorksNow, High Desert Nature Museum and Copper Mountain College, Joshua Tree, CA., March-May, 2003.

Drawings, Donskoj & Co., Kingston, NY, March 2003.

EXO: Contemporary Approaches to Nature, Kleinert/James Arts Center, Woodstock, NY., May-June 2002.

Ulster to Ulster, Belfast Exposed Gallery, Belfast, Ireland, January 2001.

Utopia/Dystopia, Byrdcliffe Outdoor Invitational Sculpture Exhibition, Woostock, NY, May-September, 2000.

Elements 2000, Newhouse Museum, Snug Harbor, Staten Island, January-May, 2000.

Rondout Biennial Sculpture Exhibition, Kingston, NY, July-October, 1999.

Rondout Biennial Sculpture Exhibition, Kingston, NY, July-October, 1997.

Woodstock Festival, Mural Project, Saugerties, NY, August 1994.

La Maja, Plexis Theater Group, NYC, 1986.

Purgatorio, Plexis Theater Group, NYC, 1986.

Boxed, Palladium, NYC, Guerrilla Girls, 1985.

Portraits, Gracie Mansion Gallery, New York, NY, 1985.

Fluxus Events, NYC, Spring, 1983.

New York, NY, Museum of Modern Art, NYC, 1978.


S E L E C T E D   L E C T U R E S:

Practical Implications of Environmental Art and the Collaborative Process, Gallatin School, NYU, June, 2003.

David Hare: Catalyst Toward Change, Pollock Krasner House, East Hampton, NY, August 2002.

Determining Value in Art: New York University, NY, July, 2001.

Emmet Gowin, Cosmopolitan Club, New York, 1977.

George Tice, Rutgers University, New Brunswick, NJ, 1975.

Photographic Process as Medium, Zimmerli Art Museum, Rutgers University, New Brunswick, NJ. 1975.


P R O F E S S I O N A L   A F F I L I A T I O N S:

Sprocket Art & Co., Inc. Co-founder, 1990-ongoing.

Future Phase Computer Systems, Consultant, 2000-ongoing.

Woodstock Artists Association, Permanent Collections, Exhibition Committees, 2000-ongoing.

ASK (Art Society of Kingston), Advisory Board, 2001-ongoing.

ASK (Art Society of Kingston), Board of Directors, 1999-2001. Curator: We Do Windows

Woodstock Guild, Benefit Committee, 1997-1999.

New York State Small Business Development Center: Delegate to China, May 1997.

The Page Museum, An alternative exhibition space for art, Founder-Curator, 1983-ongoing.

Freelance Art Consultant, 1986-1990.

ASCAP: American Society of Composers, Authors and Publishers, NYC 1985-ongoing.

The Law: Musical collaboration with Mitch Watkins and Lloyd Allen, 1983-86.

Brooklyn Academy of Music, Producers' Council, 1982-86. Charter member.

Franklin Furnace, NYC, Board of Directors, 1982-85.

Lower Manhattan Cultural Council, The First New York Art Parade, Conceived Project-Advisor, 1983.

Krumville Artists’ Retreat, Founder-Curator, 1980-1983.

Lapp Princess Press, NYC, Owner-Publisher of Artists' Books, 1979-83.

Zimmerli Art Museum, Rutgers University, Assistant Curator, 1973-76.

Curator and Author of: Photographic Process as Medium, 1975.


T E A C H I N G   E X P E R I E N C E:

Rutgers University, New Brunswick, NJ

Kean College, Union, NJ

St. Aloysius Academy, New Lexington, OH

Daemen College, Buffalo, NY